What is X-Oriente?

  • X-Oriente (Ex Oriente) means "From the East." X-Oriente is a half-hour Podcast (MP3) dedicated to those Freemasons who are young (and young at heart). X-Oriente seeks to inform, inspire, entertain and challenge you. Each issue will be packed with news, discussion, ideas, tools and interviews with Freemasons who are making a difference. We welcome your comments, ideas and submissions at xoriente@gmail.com

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February 12, 2007

Real vs. Acceptable Reasons

Yesterday morning I returned from Masonic Week. It was too many cigars, too much red meat, and a notebook full of ideas. I'll be unraveling them as the week progresses. But last night I found this article, a speech given by NASA Administrator Michael Griffin. Some of the ideas he presented had some Masonic crossover for me:

When I arrived here tonight, I was told that this very lectern from which I am speaking is the one from which John Kennedy gave the speech you saw earlier on tonight's video. Within the space business, Kennedy is probably best remembered for his "Man, Moon, Decade" speech, which, by the way, is also a classic of program management. And it's a great speech. But the JFK quote about space that I love more than anything in the world, because it evokes exactly the things I'm talking about here tonight, was the one he gave from this lectern at Rice University in September of 1962, when he said "We choose to go to the moon, and to do the other things, not because they are easy, but because they are hard." I'll say it again: "not because they are easy, but because they are hard".

The cathedral builders knew that reason. They were doing something that required a far greater percentage of their gross domestic product than we will ever put into the space business, and they knew it was hard. We know it too. We look back across 600 or 800 years of time, and we are still awed by what they did. What is it that Americans make sure to see when they go to Europe? Who goes to Europe and does not, at some point, see the cathedrals? We are still awed across the centuries by what they accomplished.

To me, the irony is that when we do hard things for the right reasons – for the Real Reasons – we end up actually satisfying all the goals of the Acceptable Reasons. And we can see that, too, in the cathedrals, if we look for it.

What did the cathedral builders get? They didn't just build cathedrals and then stop there. They began to develop civil engineering, the core discipline for any society if it wishes to have anything more than thatched huts. They learned how to build high walls and to have them stand up straight. They learned how to put a roof across a long span. They learned which materials would work, and which ones would not. And by finding the limits on how high walls could be, how broad roof spans could be, and what materials wouldn't work, they created the incentive to solve those problems, so that they could build things beyond cathedrals, so that they could, fundamentally, build Western civilization.

They gained societal advantages that were probably even more important than learning how to build walls and roofs. They learned to embrace deferred gratification, not just on an individual level where it is a crucial element of maturity, but on a societal level where it is equally vital. The people who started the cathedrals didn't live to finish them; such projects required decades. The society as a whole had to be dedicated to the completion of those projects. To be able to do that for cathedrals was to be able to do it in other areas as well. We owe Western civilization as we know it today to that kind of thinking – the ability to have a constancy of purpose across years and decades.

The medieval builders formed guilds, establishing professional trades beyond that of agriculture. Now, agriculture is at the root of human technology. Nothing good happens to human beings without getting beyond the hunter-gatherer stage, and agriculture is that first step. But the second step is to be able to build physical works that didn't previously exist. The organization and systemization of that in Western society today began in medieval Europe, with the cathedral builders. They learned how to organize large projects, a key to modern society. And, probably most important of all, the cathedrals had to be, for decades at a time, a focus of civic accomplishment and energy. A society, a nation, a civilization, needs such foci.

What is the third step? I have an idea what Griffin would say from a scientific/NASA point of view, but what would a Freemason think?

August 01, 2006

Mel Gibson clears up the mystery of whether or not he is an anti-Semite

Well folks, I'm glad we got that pesky question settled...

060731_fw_melgibsontn Is Mel Gibson an anti-Semite? Until his recent drunk-driving arrest, the only way to investigate that hypothesis was to study Gibson's controversial 2004 film, The Passion of the Christ, or to puzzle out why Gibson, in an interview with Peggy Noonan for Reader's Digest, declined to put any distance between himself and his father's crackpot view that the Holocaust never occurred. "[I]f someone denies the Holocaust one day and makes a film accusing Jews of Christ-killing the next day," my Slate colleague Christopher Hitchens reasoned, "I have to say that if he's not anti-Jewish then he's certainly getting there." There remained at least a theoretical possibility that this was all just a terrible misunderstanding. That possibility no longer exists. The best case that can be made for Gibson's belief system now is that he's anti-Semitic only when he's three sheets to the wind. And really, now. Are you in the habit of declaring, "The Jews are responsible for all the wars in the world" when you get pie-eyed? Or simply of muttering, "Fu**ing Jews"? Or of asking your arresting officer, "Are you a Jew?" (Here Gibson revealed an anti-Jewish bigotry so all-consuming that he couldn't even get his ethnic stereotypes straight. The Jews control international banking, Mel. It's the Irish who control the police.)

For good measure, Gibson turned on a policewoman observing his meltdown and said, "What do you think you're looking at, sugar t*ts?"

--From Slate.com

There's more. Read the police report. In vino veritas indeed...

But it gets weirder. Mel was apparently directing a TV series for ABC on the Holocaust. Naturally, ABC has decided not to proceed and the project is canceled. Mel has checked himself into rehab (a move we applaud) and now Disney is having doubts about Gibson's latest film, Apocalypto. Clearly, this drunken outburst will not bode well for his career.

There's a moral here for all of us. I suppose the bigots among us could point to Gibson's troubles and say, "see, the Jews DO control Hollywood!" But that arguement is crap.

I think the real moral is this: Nothing turns one of the beautiful people uglier faster than when they display intolerance and bigotry. Men like Gibson are held up as role models and when the behavior of our role models is less than honorable, it hurts all of us. Those who are wiser might point out that perhaps Hollywood actors probably aren't the best role models for our society, a point to which I would agree.

As a Freemason I kind of think that providing men who are good role models for our communities is OUR responsibility.

July 10, 2006

The Red paperclip: good things can start impossibly small

This guy traded a single red paperclip for a house in Canada. Lest you think that a small gesture can be meaningless, check this story out.

Faith can move mountains, and apparently acquire real estate.

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    The opinions expressed in this show are strictly those of X-Oriente and its editorial staff, and do not reflect those of any Lodge, Grand Lodge or appendant body. X-Oriente is an independent publishing project and no one person or body speaks for all Masonry.

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